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Saturday, March 26, 2011

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Coming in February

Fabulous Films of the 1940s Blogathon (February 17th-22nd) Hosted by the Classic Movie Blog Association. More info here. ________________

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Scheduled for release on April 4, 2013.
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The Quotable:

One of the revelations in Carl Rollyson's Hollywood Enigma: Dana Andrews (Univ. Press of Mississippi, 2012) is the author's use of Dana Andrews' own words in his journals. During the 1930s, while struggling to make a living doing everything from picking fruit to pumping gas, Andrews moved to California from Texas in 1931, married, became a father, and a widower. Throughout this tumultuous period, he also worked daily to hone himself to become the best actor he could. In one of the most moving passages in the book, he wrote:

"I must not become too selfish, self-centered--and egotistical," Dana wrote in his journal of June 8. Indeed, the very next day he wrote that that remarkable passage about how much he had changed since leaving Texas.

No longer a Southerner, he wondered how much he had lost as well as gained by becoming a new man. Acting presented him with an infinitely elastic sense of self. It was a source of strength but also of insecurity. If he could become someone else, someone not from Texas, then who--at his core--was he?

This question bedevils many actors, who turn to performing to find themselves in defining roles. Perhaps for those growing up during the Depression, the very idea of starting over again had a particular poignancy. It meant so much to succeed in the 1930s. Charles [Dana's brother] had just secured a good job in Texas, Dana noted, "at a salary of $135.00 month--pretty good for him--or anybody in these times."

Recognizing that he was changing, achieving a new "richness in my voice" and reminding himself that "Life is simply a matter of concentration; the the things we read today are the things we become tomorrow."

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Celebrating Dance and All the Arts

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On the Night Table:

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Gentleman's Fate (1931): John Gilbert directed by Mervyn LeRoy
Her First Romance (1951): Margaret O'Brien in her first adolescent role
Secret Beyond the Door (1948): Fritz Lang & Joan Bennett's last controversial collaboration
Sweet Kitty Bellairs (1930): Walter Pidgeon & Claudia Dell in a forgotten musical gem
Uncertain Glory (1944): Errol Flynn & Paul Lukas in wartime France

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Acknowledgements

Photo and poster images are drawn from my personal files as well as the following invaluable sources, which I acknowledge with appreciation for their help:

TCM Photo Archives

Dr.Macro's High Quality Movie Scans

Toutlecine.com

Life Image Archive at Google

Film Noir Photos

The Internet Movie Database (IMDb)

WalterFilm Online Collection

(Please note: No infringement of copyright of any images or videos is intended on this blog. If anything needs to be amended or removed, please contact me and I will be glad to comply.)

Film Noir Foundation

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(Please note: No infringement of copyright of any images or videos is intended on this blog. If anything needs to be amended or removed, please contact me and I will be glad to comply.)

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