Motherhood and the movies have often made for boffo box office returns. My glowing memories of those warm-hearted, endearingly fluttery, or nobly self-sacrificing mothers played by Spring Byington, Mary Astor, Fay Bainter and Barbara Stanwyck and others in classic movies may have fogged my vision of celluloid motherhood a bit. The Silver Cord (1933), a 77 year old film made at RKO, broke that clichéd Mom mold with a disquieting crack, blending a domestic drama with strong elements of high camp. There were Bad Moms around in dramas before and after this exercise in theatrical Freudianism. Noel Coward enjoyed his first big success in the mid 1920s dramatizing the unhealthy relationship between a glamorous nymphomaniac socialite and her drug addicted son in The Vortex (1927), which was made into a silent movie in 1927. The same year as The Silver Cord (1933), director John Ford offered a surprisingly negative portrait of a mother played by Henrietta Crossman in Pilgrimage. Crossman’s dour character was so fixated on avoiding a marriage by her only son to “an unsuitable girl,” she sent him off to the trenches of World War I. And Gladys Cooper brought the Bad Mom to an artistic high point with her portrayals of lethally clinging matriarchs in Now, Voyager (1942) and Separate Tables (1958) in the ’40s and ’50s.
The grandma of many of the later indictments of maternal love, however, might be this early talkie, which is statically staged but electrifying, thanks to the author, the actors and their under-appreciated director, John Cromwell...more on the TCM Movie Morlocks
